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Of course, a Periphery Hatedom can help make things even more inescapable, even well after the pop-culture phenomenon's popularity has died down.

Given enough time, even an otherwise benign Periphery Hatedom can look fanatical to disinterested third parties, who are as likely to direct their pleas of "Will you just were a kid had a Periphery Hatedom at the time, and the kids who love a kid-oriented work with a Periphery Hatedom may grow up to become the adults who hate some new kid-oriented work, while still viewing the stuff they themselves enjoyed as kids as pure quality.

Also, in many ways the opposite of Multiple Demographic Appeal; in fact, an Audience Alienating Premise is sometimes the result of trying to cater to different kinds of audience and failing to attract any.

A fan of the show "My Little Pony: Friendship is Magic". (plural: bronies)Bronies usually show a want to be accepted as normal people, but don't appear to realise that to be treated the same as anyone else, they need to stop making sure everyone knows and remembers that they are a brony at all times, without fail.

It inspires an anti-Periphery Demographic, who respond to them in such a way that you'd think they had committed some unspeakable atrocity.

This is not to say that the dislike is always undeserved.

Contrast Hype Backlash, where a backlash occurs against something people have been told they'd like. Can lead to Deader Than Disco when a work's target demographic stops liking it and joins in on the bashing.

See also Americans Hate Tingle for regional examples. Moral Guardians are a specific type of Periphery Hatedom, who sometimes subvert the trope by directing their complaints at how they think the work will affect its audience.

Complaining about Shows You Don't Watch when you're fall here unless the work has a Fleeting Demographic (such as a lot of kids' shows, teen pop music, etc.) and the fan has grown out of it.

Otherwise, move it to They Changed It, Now It Sucks.

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